3 edition of Literary sources of Nineteenth-Century musical orientalism found in the catalog.
Literary sources of Nineteenth-Century musical orientalism
Jonathan David Little
|Statement||Jonathan David Little ; with a foreword by Dolores M. Hsu|
|LC Classifications||ML1420 .L58 2011|
|The Physical Object|
|LC Control Number||2011014165|
Orientalism is a term that is used by art historians, literary and cultural studies scholars for the imitation or depiction of aspects in Middle Eastern, South Asian, and . Orientalism Edward Said's signature contribution to academic life is the book Orientalism. It has been influential in about half a dozen established disciplines, especially literary studies (English, comparative literature), history, anthropology, sociology, area studies (especially middle east studies), and comparative religion.
Synopsis Representations of music were employed to create a wider 'Orient' on the pages, stages and walls of nineteenth-century Britain. This book explores issues of orientalism, otherness, gender and sexuality that arise in artistic British representations of non-European musicians during this time, by utilizing recent theories of orientalism, and the subsidiary (particularly aesthetic and. Orientalism in the Victorian era has origins in three aspects of 18th-century European and British culture: first, the fascination with The Arabian Nights (translated into French by Antoine Galland in ), which was one of the first works to have purveyed to Western Europe the image of the Orient as a place of wonders, wealth, mystery, intrigue, romance, and danger; second, the Romantic. "This book explores issues of orientalism, otherness, gender and sexuality that arise in artistic British representations of non-European musicians during this time, by utilizing recent theories of orientalism, and the subsidiary (particularly aesthetic and literary) theories both on which these theories were based and on which they have been influential.
Orientalism and Visual Culture is the first sustained analysis of historical exoticism in the nineteenth century. Supplementing the tools of art history with aspects of postcolonial theory, the work of the Frankfurt School, and reception theory, Frederick Bohrer examines the varied reception of the art of ancient Mesopotamia at the time of their archaeological discovery in England, France and Format: Copertina rigida. lish literature and also, recently, other works on the Middle East among which are The Question of Palestine () and Covering Islam (). He combines deep sensitivity to injustices wrought upon the Palestinians, and Arabs generally, with broad knowledge of Western intellectual history. Orientalism is a controversial and important book. These are at once distinct, contrasting, and yet interconnected regions. Scholars often link visual examples of Orientalism alongside the Romantic literature and music of the early nineteenth century, a period of rising imperialism and tourism when Western artists traveled widely to .
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SyntaxTextGen not activatedThe Orientalism pdf, inspired by the pdf of Edward Said, has been a major source of cross-disciplinary controversy in recent years. John Mackenzie offers a comprehensive re-evaluation of the vast literature on Orientalism, bringing to the subject some highly original historical perspectives.
The book provides the first major discussion of Orientalism by a historian of imperialism.In art history, literature and cultural studies, Orientalism is the download pdf or depiction of aspects in the Eastern depictions are usually done by writers, designers, and artists from the West.
In particular, Orientalist painting, depicting more specifically "the Middle East", was one of the many specialisms of 19th-century academic art, and the literature of Western countries.Books shelved as orientalism: Orientalism by Edward W.
Said, Vathek by William Beckford, The Colonial Harem by Malek Alloula, Salammbô by Gustave Flauber.